Abstract
In view of scholarly work that has explored the socio-psycho significance of national performativity, the body and the “other”, this article critically analyses newspaper representations of the Canadian-born, British tennis player, Greg Rusedski. Drawing from Lacanian interpretations of the body, it is illustrated how Rusedski’s media framing centered on a particular feature of his body – his “smile”. In doing so, we detail how Rusedski’s “post-imperial” Otherness – conceived as a form of “extimacy” (extimité) – complicated any clear delineation between “us” and “them”, positing, instead, a dialectical understanding of the splits, voids and contradictions that underscore the national “us”.